Selasa, 28 Agustus 2012

[T637.Ebook] Free PDF Noah's Ark Origami (Origami Books), by Seth Friedman

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Noah's Ark Origami (Origami Books), by Seth Friedman

The account of Noah’s ark is more than just a powerful reminder of divine power—it is a classic story cherished by children and adults alike. The imagery of all the Earth’s creatures uniting in pairs on a single vessel has captivated readers over the millennia, and now that imagery comes to life with Noah’s Ark Origami.

Complete with an in-depth account of Noah’s ark that includes historical information and maps, this entertaining kit also contains 30 sheets of 4” x 4” paper, 40 sheets of 6” x 6” paper, and 30 sheets of 8” x 8” paper so that each animal can be crafted to scale. The 112-page book is perfect for both Bible students and animal lovers, with easy-to-follow instructions for folding Noah, his wife, and ten pairs of animals. Plus, die-cut board pieces create a 3-D ark, perfect for housing your origami menagerie.

Sure to unfold hours of enjoyment, Noah’s Ark Origami is a paper-folding collection of biblical proportions.

  • Sales Rank: #2295045 in Books
  • Published on: 2015-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.90" h x 1.90" w x 11.40" l, .0 pounds
  • Binding: Hardcover
  • 112 pages

About the Author
Seth Friedman is an internationally known origami artist from Brooklyn, New York. He has shown his original origami sculptures, and presented on the topic of origami in the United States, Canada, France and Japan. Best known for his sculptures of birds, he also makes every living creature of interest the subject of his folding.

Most helpful customer reviews

1 of 1 people found the following review helpful.
which my daughter put together herself easily. I liked how the book includes a 26-page ...
By Hello Happy
This is a large set which recreates Noah and his ark — in folded-paper oriami figures. The set includes a large case with plentiful papers for creating the 13 figures of Noah and his wife, and 11 different animals to go along with them on the ark. The book provides basic instructions for origami generally and then walks through the steps needed to create each figure. Plus, there is the ark itself, which my daughter put together herself easily. I liked how the book includes a 26-page discussion of the story and research of Noah’s ark. We’ve already made Noah and a couple of the animals and are hoping to make them all.

0 of 0 people found the following review helpful.
Great idea for Lent or Advent!
By Abigail Benjamin
It's Lent! It's a great time to introduce your kids to the Japanese Paper Art of Origami as they fast from electronics. Thunder Press has created an all-inclusive kit called "Noah's Art Origami" by Seth Friedman for $24.95. This is a family friendly activity with 100 sheets of printed origami paper to craft Noah, his wife, an ark and a giant cast of animal characters. A 112 page booklet of maps and historical information on Noah's Ark has enough detail for the geekiest of Bibilical Scholars. I loved the laminated paper Ark which could store all the origami creations once they were finished.

I put my 10 year old son to work on making the origami creations. He rated it at an intermediate level of ability and he liked the nice, clear directions. In addition to the popular giraffe and elephant, I loved the look of the more creative origami creations such as a white spotted deer and a ram with a curly horn. My son's favorite origami creation was two sheet turtle which had green legs and a textured shell. My five year old melted over the origami rabbit. The origami directions come printed in a handy book, so I can easily save it and fold more paper bunnies for our mantle this Spring.

Paper folding is such a gentle family activity. I find my pre-teens really benefit from the focus origami requires. My younger kids are amazed whenever they see flat paper turned into 3 D creations. If you are looking at more ways to avoid time on Netflix this Lent and keep your family more focused on Christ, a $25 investment in "Noah's Art Origami" might be a great gateway into this beautiful art form.

0 of 0 people found the following review helpful.
Great to Teach Kids About the Bible
By Lisa Ruscyczk Ed.D.- Author of the Charlie the Cavalier Children's Books and 50 Things to Know Books
We love learning more about the bible at our house. Each night we created an animal or human and talked about the different parts of the arch story. Then we kept the arch on a self in our house. I received this product at a reduced price for an honest review.

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Jumat, 17 Agustus 2012

[C251.Ebook] PDF Download Reef Fish Identification: Florida, Caribbean, Bahamas, by Paul Humann

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Reef Fish Identification: Florida, Caribbean, Bahamas, by Paul Humann

Find Nemo

  • Sales Rank: #2798742 in Books
  • Brand: Brand: New World Publications
  • Published on: 1989
  • Original language: English
  • Number of items: 1
  • Binding: Plastic Comb
  • 272 pages
Features
  • FISH SEEN ON THE REEFS, WRECKS, LEDGES AND WALLS OF FLORIDA, THE CARIBBEAN, AND THE BAHAMAS

Most helpful customer reviews

0 of 0 people found the following review helpful.
A must for scuba divers
By James R. Starkey
Excellent if you are going to Seyschells. My daughter used at as a primer for a research project. Good color plates for visual ID. Sport or professional, you need this book

0 of 0 people found the following review helpful.
Fish Identification Bible for Divers
By Vincent Miceli
This book is extremely well laid out. Every photo shows the fish in exactly the same position. If you are a scuba diver or snorkler who wants to know what you are seeing, this book is your best source. In addition to photos, the authors offer information about areas where the fish is likely to be found, the maximum size and where they like to hang out. I highly recommend this book, well worth the price.

6 of 6 people found the following review helpful.
Florida / Caribbean / Bahamas
By J. Kendall
A great book to bring along on a dive. It's spiral bound and about 250 pages of pictures, descriptions and everything you ever wanted to know. Eliminates the "Did you see that?" "Yeah, what was it?" "A Ray of somesort" "Yeah, but what kind, I've never seen one like that"

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Selasa, 07 Agustus 2012

[U944.Ebook] Download Ballet Basics, by Sandra Noll Hammond

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Ballet Basics, by Sandra Noll Hammond

Written for the adult beginner, Ballet Basics is a well-illustrated introduction to the fundamentals of ballet technique. The text also provides an overview of the history of ballet and introduces students to the world of ballet.

  • Sales Rank: #355694 in Books
  • Published on: 2003-08-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .41" w x 7.30" l, .76 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Sandra Noll Hammond trained in ballet in New York at the Juilliard School, the Metropolitan Opera Ballet, and the School of Ballet Repertory. Among her teachers were Antony Tudor, Margaret Craske, Thalia Mara, and Arthur Mahoney. She has performed with the Ballet Repertory Dancers, Connecticut Opera, Arizona Dance Theatre, and Pacific Ballet. She also has worked as a free-lance artist, performing and staging Baroque ballet repertory reconstructed from her own research. A graduate of the University of California, Santa Barbara, Hammond's teaching career has focussed on ballet in higher education. She was instrumental in developing a dance major at the University of Arizona, Tucson, where she served as Coordinator of Dance. Later, she served as Director of Dance in the Theatre and Dance Department of the University of Hawaii. Hammond is recognized internationally for her research, lectures, and publications on the history of ballet technique. In addition to Ballet Basics, her publications include Ballet: Beyond the Basics (also published by McGraw-Hill) and numerous articles in dance journals and in ballet encyclopedias and dictionaries. She is a frequent guest artist on university campuses, where she enjoys introducing students to earlier forms of ballet technique and repertory from the eighteenth and nineteenth centuries.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Useful for some things
By Laura Quave
This book is helpful if you know absolutely nothing about dance, and need to learn for yourself or your beginning children. When teacher or student says a term, you will be able to know for sure what it means. It will warn against some of the most obvious wrong ways of doing things. It provides basic illustrations of the positions, movements, etc. that are defined.

It will not explain which muscles to use to turn your feet out, or which to engage to hold your pelvis upright, or even how your arms should be rotated in order to obtain arms that look like the ones in the illustrations. For that, you will either need your instructor to explain these things in detail (if they are willing and able) or you will need another book or video to help you.

It is useful as a basic book of definitions, but no further.

30 of 30 people found the following review helpful.
Great learning aid for adult beginners
By The Prof
I have the 3rd edition of this book, which was required for a college Ballet I class. As a beginning, adult, male student, I found the book to be very detailed - which I like. She gives you illustrations of steps, with the French name & pronunciation, why your doing it (e.g. to stretch certain muscles), a description, etc..
Initially, working at the barre (e.g. how to stand, plie', positions of the feet) Sandra gives correct & incorrect drawings. Of course, no book or video can replace being in class nor should it. With ballet you need a teacher to correct what your doing wrong so you can learn from it. Then having good books, videos, etc. as reference material helps you learn.
The book is written for us beginner adults, not children and not the pro's, which is really nice. Since we don't have nearly the flexibility of them. It also includes some history in the back of the book. Illustrations show men as well as women. Also included is what to wear to class, what to expect in class, how you should act, etc..
Get her other book once you get beyond the basics.

25 of 25 people found the following review helpful.
The Best Book for Adult Beginners...
By artslover
Finally a good ballet instruction book that's encouraging and doesn't talk down to adult beginners. The more ballet classes I take, the more I realize how well this book distills the important aspects of ballet. Sketches and photos showing correct (and incorrect) body positioning are appropriately used. When I started ballet, I picked up a handful of books, and I always reached for this one when I had 10 minutes to learn a new tidbit. The brief history of ballet in the final chapter is added bonus. If you're an adult beginner, start with this book and the David Howard videos, plus a good teacher once or twice a week. You won't be auditioning for the American Ballet Theatre, but you'll become a proficient dancer pretty quickly.

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Senin, 06 Agustus 2012

[L222.Ebook] PDF Download The Return of Nathan Brazil (Well World Saga: Volume 4), by Jack L. Chalker

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Welcome to the Well World: a construct of an ancient defunct race known as the Markovians. The Well World acts both as the controller of and the gateway to 1560 worlds created by the Markovians at the end of their time.

Humanity is reeling when the Dreel (a viral, hive-minded species) attack the Milky Way and seem ready to take over the galaxy. In desperation they go back to the ancient sciences of the defunct race of Markovians which no one really understands.

But using science concepts as alien and as powerful as those of the Markovians can have dire consequences, as the humans discover when they inadvertently create a situation which can lead to the destruction of the universe itself.

The Well World can help prevent total destruction, but the planet- sized computer has itself been damaged and must be repaired before it can be used to save the universe. Nathan Brazil can fix the damage, but where is Nathan Brazil? It is up to Mavra Chang and Obie the sentient robot to find Brazil before the entire universe is destroyed.

The Return of Nathan Brazil is the fourth book set in the Well World universe.

  • Sales Rank: #1432037 in Books
  • Published on: 2014-09-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .62" w x 5.98" l, .90 pounds
  • Binding: Paperback
  • 276 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
... book 'Midnight at the Well of Souls' was a fun and unpredictable read
By Joe
The first book 'Midnight at the Well of Souls' was a fun and unpredictable read. This book still had some good moments but tended towards cliche and predictable. Not Chalker's best.

0 of 0 people found the following review helpful.
A Personal Favorite.
By Carl N.
This title is a personal favorite that I just happened to stumble across shortly after it was first published. I eventually read and greatly enjoyed all five of the original Well World books. It is one of the rare series where an author manages to maintain interesting storylines over several volumes. Later Well World titles, added after the original five, were not as entertaining to me.

0 of 0 people found the following review helpful.
1/5 reasons the Well series is so AWESOME!!!
By Akil
At first I was convinced I was not going to like the addition of this new character Marva, how wrong I was. This is a great book and one of five reasons the Well series is so adored by JLC many fans. You are introduced to a lot of new characters that are as interesting as the ones previously. Worth the buy!

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Sabtu, 04 Agustus 2012

[E159.Ebook] Free PDF Lippincott's Cancer Chemotherapy Handbook, by Delia C. Baquiran, Jean Gallagher

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Lippincott's Cancer Chemotherapy Handbook, by Delia C. Baquiran, Jean Gallagher

This handbook is designed to provide quick alphabetical access to information on cancer drugs and drug administration. There are sections providing guidelines on safe drug handling and administration, the management of side effects, and home care, and there is a main section presenting alphabetically-organized chemotherapeutic drug monographs.

  • Sales Rank: #8131869 in Books
  • Published on: 1997-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.75" w x .75" l,
  • Binding: Paperback
  • 373 pages

Most helpful customer reviews

12 of 12 people found the following review helpful.
A quick reference guide
By Vero
As a Clinical Oncology Resident, I needed a practical guide to review toxicities expected, forms of administration and basic properties of chemotherapeutic drugs. That's exactly what I found in this book.This is not an exhaustive monograph text, and basic aspects(cell cycle, theories of CT, etc) are only summarized. But for the clinician, and for all those who need a quick reference when working at a Day Hospital, this is the right book.

7 of 7 people found the following review helpful.
A practical guide for the oncologist, and oncology nurse
By ikazem@psghs.edu
This easy to read clearly written book serves as a guide for quick reference for the clinical oncologist. It summarizes the indications, the drug combinations and the expected side-effects. It is a resource for the busy practice.

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Jumat, 03 Agustus 2012

[J699.Ebook] Ebook Download The Secret Parts of Fortune: Three Decades of Intense Investigations and Edgy Enthusiasms, by Ron Rosenbaum

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The Secret Parts of Fortune: Three Decades of Intense Investigations and Edgy Enthusiasms, by Ron Rosenbaum

In 1998, Ron Rosenbaum published Explaining Hitler, a national bestseller and one of the most acclaimed books of the year, hailed by Michiko Kakutani in The New York Times as "lucid and exciting . . . a provocative work of cultural history that is as compelling as it is thoughtful, as readable as it is smart." Time called it "brilliant . . . restlessly probing, deeply intelligent."

The acclaim came as no surprise to those who have been reading Ron Rosenbaum's journalism, published widely in America's best magazines for three decades. The man known to readers of his New York Observer column as "The Edgy Enthusiast" has distinguished himself as a writer with extraordinary range, an ability to tell stories that are frequently philosophical, comical, and suspenseful all at once.

In this classic collection of three decades of groundbreaking nonfiction, Rosenbaum takes readers on a wildly original tour of the American landscape, deep into "the secret parts" of the great mysteries, controversies, and enigmas of our time.

These are intellectual adventure stories that reveal:

 ¸  The occult rituals of Skull and Bones, the legendary Yale secret society that has produced spies, presidents, and wanna-bes, including George Bush and his son George W. (that's the author, with skull, on the cover, in front of the Skull and Bones crypt)

 ¸  The Secrets of the Little Blue Box, the classic story of the birth of hacker culture

 ¸  The Curse of the Dead Sea Scrolls; "The Great Ivy League Nude Posture Photo Scandal"; the underground
realms of "unorthodox" cancer-cure clinics in Mexico; the mind of Kim Philby, "the spy of the century"; the unsolved murder of JFK's mistress; and the mysteries of "Long Island, Babylon"
 ¸  Sharp, funny (sometimes hilarious) cultural critiques that range from Elvis to Elisabeth Kübler-Ross, Bill Gates to Oliver Stone, Thomas Pynchon to Mr. Whipple, J. D. Salinger to the Zagat Guide, Helen Vendler to Isaac Bashevis Singer
 ¸  And a marriage proposal to Rosanne Cash

Forcefully reported, brilliantly opinionated, and elegantly phrased, The Secret Parts of Fortune will endure as a vital record of American culture from 1970 to the present.



  • Sales Rank: #761416 in eBooks
  • Published on: 2000-09-18
  • Released on: 2000-09-18
  • Format: Kindle eBook

Amazon.com Review
One part intellectual and one part journalist, Ron Rosenbaum offers a thick book full of his writing from Esquire, Vanity Fair, The New York Times Magazine, and The New York Observer (where he is currently a columnist). Perhaps not every selection will interest every reader--the diversity of topics is incredible--but there is probably something, or many things, for everyone in The Secret Parts of Fortune.

An outstanding entry is an excerpt from his celebrated book Explaining Hitler. Other highlights include a hilarious interview with Robin Leach (entitled "The Frantic Screaming Voice of the Rich and Famous"), an explanation of why Murray Kempton "is the best prose writer in America," and a short history of computer hackers. One of Rosenbaum's finest pieces focuses on the cancer-cure underground: "False hope springs eternal," he writes, describing how phony cancer "cures seem to spring up and sweep the nation like religious revivals, a new one at least every decade." Yet he's sympathetic--or at least mildly understanding--of the motivations behind the fake healers: the movement isn't "composed mainly of cash-hungry charlatans and snake-oil salesmen eager to make an easy killing off the sufferings and hopes of cancer victims. In fact, among the healers, the prophets, and the alchemists, you find less greed than evangelical fervor--the rapturous conviction of religious visionaries."

Rosenbaum is rougher with Bill Gates; he lights into the billionaire's fabled high-tech home, which he says "exhibits the distinctive feature of the totalitarian mind: the inability to distinguish between private and public spheres. It suggests this isn't just the way he wants to run his house, it's the way he wants to run the world: total surveillance, enforced entertainment, everyone isolated in programmable pods." Yet another standout is Rosenbaum's article on Kim Philby, the British intelligence officer who spied against his native land on behalf of the Soviets. Or did he? Rosenbaum considers the fascinating "possibility that Philby had been not a Soviet double agent but a British triple agent." And there's so much more. This rich book is full of provocative and gripping prose, and highly recommended. --John J. Miller

From Publishers Weekly
Rosenbaum's third collection of articles and essays (he's "The Edgy Enthusiast" columnist for the New York Observer) shows again that he is one of our most original writers of nonfiction. His two previous compilations made sense, respectively, of the 1970s and '80s; this much thicker volume collects a dozen or so pieces each from these decades, and adds 33 from the 1990s. Prefaced by a long anecdotal introductory essayDin which the journalist explains both his own history and the story behind the compiled articlesDthe book offers up consistently lively and thoughtful writing that combines investigative reporting, cultural context, humor, self-deprecation and erudition. A Yale graduate with a degree in English, Rosenbaum (Explaining Hitler) started contributing in the 1970s to such publications as Esquire, New York, Harper's and the Village Voice almost by accident; later, propelled by his interest in finding out what is hidden beneath the surface of things, more essays appeared in Vanity Fair and the New York Times Magazine. His pieces tackle the theories of conspiracy buffs (Rosenbaum aptly calls himself a "buff buff")Dfrom rumors about the real motivations of notorious double agent Kim Philby to the possible existence of Shakespeare's lost works. He also meditates on the link between Yale's Skull and Bones Society and the CIA; J.D. Salinger's walled-in house; the Zagat restaurant guide; Borges's efforts to disprove the existence of Time; and a score of other hidden aspects of American culture. Filled with literary allusions, ruminations on the motor of human history and a straightforward sensitivity, Rosenbaum's essays are gems of narrative nonfiction.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Rosenbaum (Explaining Hitler) has collected some previously published essays that span three decades of his accomplished career as a journalist and illustrate his wide-ranging interests. The sheer breadth of this volume, which covers topics such as politics, conspiracy theory, entertainment, crime, and literature, may overwhelm the casual reader, but Rosenbaum's thorough investigations and decisive voice make for an intriguing collection. In "Turn On, Tune In, and Drop Dead," for example, Rosenbaum critiques Dr. Elizabeth K bler-Ross, leader of what he calls the "death-and-dying movement," arguing that K bler-Ross and her followers are misguided: "Death has claimed another victim, the mind of K bler-Ross." No matter what the subject of his scrutiny, Rosenbaum never fears making judgments, but he never rushes to them either; nor does he shy from examining how his subjects have affected him. His consideration of conspiracy theories surrounding both Watergate and the JFK assassination and his expos of hoax serial killer Henry Lee Lucas are journalism at its finest. Recommended for larger public and academic libraries, particularly those with journalism collections.DCheryl Van Til, Kent Dist. Lib., Comstock Park, MI
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

30 of 31 people found the following review helpful.
Rosenbaum, The Gnostic Explorer
By R. W. Rasband
Ron Rosenbaum got a lot of attention a couple of years ago with his amazing book "Explaining Hitler", which was about all the different theories people have come up with to account for that figure's almost overwhelming evil. However, he has been writing journalism for thirty years that explores the hidden underside of contemporary culture--the "gnostic knowledge", if you will, of the modern world. This book is a thick, satisfying collection of much of that work. Some of the best stuff: an exploration of Kim Philby and the information about him that Graham Greene might have taken to his death. An amusing expose of the naked "posture photos" that used to be required of every freshman at Ivy League universities. His Hitler essay that first appeared in the "New Yorker" magazine. The inside poop on the secret society of "Skull and Bones." There is also a lot of terrific "literary journalism"--the best essay I've ever read on J.D. Salinger, which first appeared in "Esquire"; along with his famous take on the underappreciated Charles Portis, which got his books back into print. Also, perceptive stuff on Martin Amis and an explanation of how the lost art of the "close reading" of the old-fashioned "New Critics" is better than post-modernism at explaining the world. Rosenbaum is definitely *not* a conspiracy theorist; his real subject is how human beings respond to mystery. He contrasts his own shifting views on the JFK asassination ("Oswald's Ghost") with the fatal paranoia that eventually overcame the late Danny Casolaro. This is an endlessly fascinating book--highly recommended for mystery lovers, history buffs, and fans of the weird and unexplained.

24 of 25 people found the following review helpful.
America's best living essayist
By Susan Paxton
I have to confess being unfamiliar with Ron Rosenbaum until reading his excellent, perceptive book "Explaining Hitler." What a pleasure, then, that he has followed that book up with this collection of his magazine work extending over the past three decades. The essays collected here are a mixed bag showing Rosenbaum's extensive range, from amusing short pieces to long works in depth. Some personal favorites include his early exploration of the world of phone phreaks (in which Rosenbaum predicted, correctly, that computer hacking was the wave of the future - this in 1971!), his exposure of the Henry Lee Lucas serial killer hoax, his slightly crazed looks at TV culture via the war over canned laughter and the eminence of Mr. Whipple in toilet paper advertising, a short but incredibly horrible glimpse of early 60s teen film star Troy Donahue debauched and decrepit in the early 70s, his explorations into the world of the Kennedy assassination mythos, a brief, horrified look at Bill Gates' house, and his wonderful exposure of Yale's weird Skull and Bones fraternity. Every piece is well worth your time and several are worthy of close rereading. Rosenbaum is a fine writer, improving continuously as this collection shows (and he started at a very high level), and I'll be looking for his magazine pieces from now on.

22 of 24 people found the following review helpful.
Very Dense
By Nancy Hochman
I had never read Ron Rosenbaum before I purchased this book and while I don't love everything I've read so far, I do have a great deal of respect for Rosenbaum as a journalist. To put it simply: he's brilliant. It's so refreshing to read his work. He's one of the best journalists I've ever read and am so glad that amazon brought him to my attention.
My problem with the book was that many of his essays just didn't grab me. The synopsis described several topics which I was sure would interest me but when I actually read them I found the writing style a bit dense and bogged down. I don't ever expect to like everything I read in collections. I particularly liked "The Great Ivy League Nude Posture Photo Scandal," as well as "Henry: Portrait of a Serial Killer Hoax." This is the kind of compilation which I would not recommend attempting to read in one sitting. Smaller portions worked best for me. This is a wonderful collection of Rosenbaum's work, and while I haven't read them all yet, so far, so good.

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Rabu, 01 Agustus 2012

[H555.Ebook] Free PDF After You: A Novel, by Jojo Moyes

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After You: A Novel, by Jojo Moyes

The sequel to Me Before You, which is now a major motion picture. Look out for Jojo’s new book, Paris for One and Other Stories, available now.

“We all lose what we love at some point, but in her poignant, funny way, Moyes reminds us that even if it’s not always happy, there is an ever after.” —Miami Herald

“You’re going to feel uncomfortable in your new world for a bit. But I hope you feel a bit exhilarated too. Live boldly. Push yourself. Don’t settle. Just live well. Just live. Love, Will.”
 
How do you move on after losing the person you loved? How do you build a life worth living?
 
Louisa Clark is no longer just an ordinary girl living an ordinary life. After the transformative six months spent with Will Traynor, she is struggling without him. When an extraordinary accident forces Lou to return home to her family, she can’t help but feel she’s right back where she started.
 
Her body heals, but Lou herself knows that she needs to be kick-started back to life. Which is how she ends up in a church basement with the members of the Moving On support group, who share insights, laughter, frustrations, and terrible cookies. They will also lead her to the strong, capable Sam Fielding—the paramedic, whose business is life and death, and the one man who might be able to understand her. Then a figure from Will’s past appears and hijacks all her plans, propelling her into a very different future. . . .
 
For Lou Clark, life after Will Traynor means learning to fall in love again, with all the risks that brings. But here Jojo Moyes gives us two families, as real as our own, whose joys and sorrows will touch you deeply, and where both changes and surprises await.


From the Hardcover edition.

  • Sales Rank: #970 in Books
  • Published on: 2016-07-19
  • Released on: 2016-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .80" w x 5.50" l, .81 pounds
  • Binding: Paperback
  • 400 pages

Review
"Jojo Moyes has a hit with AFTER YOU.”—USA Today

“The genius of Moyes…[is that she] peers deftly into class issues, social mores and complicated relationships that raise as many questions as they answer. And yet, there is always resolution. It's not always easy, it's not always perfect, it's sometimes messy and not completely satisfying. But sometimes it is.”—Bobbi Dumas, NPR

“Think Elizabeth Bennet after Darcy's eventual death; Alice after Gertrude; Wilbur after Charlotte. The 'aftermath' is a subject most writers understandably avoid, but Moyes has tackled it and given readers an affecting, even entertaining female adventure tale about a broken heroine who ultimately rouses herself and falls in love again, this time with the possibilities in her own future.”–Maureen Corrigan, NPR 

"Charming." —People Magazine

“Like its predecessor [Me Before You], After You is a comic and breezy novel that also tackles bigger, more difficult subjects, in this case grief and moving on… We all lose what we love at some point, but in her poignant, funny way, Moyes reminds us that even if it’s not always happy, there is an ever after.” –Miami Herald

Praise for ME BEFORE YOU:

"A hilarious, heartbreaking, riveting novel . . . I will stake my reputation on this book."—Anne Lamott, People

“When I finished this novel, I didn’t want to review it: I wanted to reread it. . . . an affair to remember.”—New York Times Book Review

“An unlikely love story . . . To be devoured like candy, between tears.”—O, The Oprah Magazine

“Funny and moving but never predictable.”—USA Today (4 stars)

“Masterful . . . a heartbreaker in the best sense . . . Me Before You is achingly hard to read at moments, and yet such a joy.”—New York Daily News

“Funny, surprising and heartbreaking, populated with characters who are affecting and amusing . . . This is a thought-provoking, thoroughly entertaining novel that captures the complexity of love.”—People Magazine


Praise for ONE PLUS ONE:

“Safety advisory: If you’re planning to read Jojo Moyes’s One Plus One on your summer vacation, slather on plenty of SPF 50. Once you start the book, you probably won’t look up again until you’re the last one left on the beach…[a] wonderful new novel.”
—The Washington Post

“Jojo Moyes’ new novel One Plus One adds up to a delightful summer read, where the whole is greater than the sum of its charming parts…Moyes’ observations on modern life are dryly hilarious…You don’t need to be a math whiz to figure out this book is one worth adding to your summer reading list.”
—USA Today (4 stars)

“Bridget Jones meets Little Miss Sunshine in this witty British romp from bestseller Moyes…Wryly romantic and surprisingly suspenseful.”
—People

“Fans of the 2006 summer sleeper hit Little Miss Sunshine will find a lot to love in British author Jojo Moyes’ latest, about a madcap road trip that’s packed to the boot with familial drama, class clashes, and romance.”
—Entertainment Weekly (A-)

“No need to worry where this road trip is headed. Just sit back, roll down your window and enjoy being a passenger.”
—Cleveland Plain Dealer

About the Author
Jojo Moyes is the #1 New York Times bestselling author of Me Before You, One Plus One, The Girl You Left Behind, The Last Letter from Your Lover, Silver Bay, and The Ship of Brides.  She lives with her husband and three children in Essex, England.


From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.

 

1

The big man at the end of the bar is sweating. He holds his head low over his double scotch and every few minutes he glances up and out behind him toward the door, and a fine sheen of perspiration glistens under the strip lights. He lets out a long, shaky breath disguised as a sigh and turns back to his drink.

“Hey. Excuse me?”

I look up from polishing glasses.

“Can I get another one here?”

I want to tell him that it’s really not a good idea, that it won’t help. That it might even put him over the limit. But he’s a big guy and it’s fifteen minutes till closing time and according to company guidelines, I have no reason to tell him no. So I walk over and take his glass and hold it up to the optic. He nods at the bottle.

“Double,” he says, and slides a fat hand down his damp face.

“That’ll be seven pounds twenty, please.”

It is a quarter to eleven on a Tuesday night, and the Shamrock and Clover, East City Airport’s Irish-themed pub that is as Irish as Mahatma Gandhi, is winding down for the night. The bar closes ten minutes after the last plane takes off, and right now it is just me, the intense young man with the laptop, the two cackling women at table 2, and the man nursing a double Jameson’s waiting on SC107 to Stockholm and DB224 to Munich, the latter of which has been delayed for forty minutes.

I have been on since midday, as Carly had a stomachache and went home. I didn’t mind. I never mind staying late. Humming softly to the sounds of Celtic Pipes of the Emerald Isle Vol. III, I walk over and collect the glasses from the two women, who are peering intently at some video footage on a phone. They laugh the easy laughs of the well lubricated.

“My granddaughter. Five days old,” says the blond woman, as I reach over the table for her glass.

“Lovely.” I smile. All babies look like currant buns to me.

“She lives in Sweden. I’ve never been. But I have to go see my first grandchild, don’t I?”

“We’re wetting the baby’s head.” They burst out laughing again. “Join us in a toast? Go on, take a load off for five minutes. We’ll never finish this bottle in time.”

“Oops! Here we go. Come on, Dor.” Alerted by a screen, they gather up their belongings, and perhaps it’s only me who notices a slight stagger as they brace themselves for the walk toward security. I place their glasses on the bar, scan the room for anything else that needs washing.

“You never tempted then?” The smaller woman has turned back for her scarf.

“I’m sorry?”

“To just walk down there, at the end of a shift. Hop on a plane. I would.” She laughs again. “Every bloody day.”

I smile, the kind of professional smile that might convey anything at all, and turn back toward the bar.

 • • • 

Around me the concession stores are closing up for the night, steel shutters clattering down over the overpriced handbags and emergency-gift Toblerones. The lights flicker off at gates 3, 5, and 11, the last of the day’s travelers winking their way into the night sky. Violet, the Congolese cleaner, pushes her trolley toward me, her walk a slow sway, her rubber-soled shoes squeaking on the shiny Marmoleum.

“Evening, darling.”

“Evening, Violet.”

“You shouldn’t be here this late, sweetheart. You should be home with your loved ones.”

She says exactly the same thing to me every night.

“Not long now.” I respond with these exact words every night. Satisfied, she nods and continues on her way.

Intense Young Laptop Man and Sweaty Scotch Drinker have gone. I finish stacking the glasses and cash up, checking twice to make sure the till roll matches what is in the till. I note everything in the ledger, check the pumps, jot down what we need to reorder. It is then that I notice the big man’s coat is still over his bar stool. I walk over and glance up at the monitor. The flight to Munich would be just boarding if I felt inclined to run his coat down to him. I look again and then walk slowly over to the Gents.

“Hello? Anyone in here?”

The voice that emerges is strangled and bears a faint edge of hysteria. I push open the door. The Scotch Drinker is bent low over the sinks, splashing his face. His skin is chalk-white.

“Are they calling my flight?”

“It’s only just gone up. You’ve probably got a few minutes.”

I make to leave, but something stops me. The man is staring at me, his eyes two tight little buttons of anxiety. He shakes his head. “I can’t do it.” He grabs a paper towel and pats at his face. “I can’t get on the plane.”

I wait.

“I’m meant to be traveling over to meet my new boss, and I can’t. And I haven’t had the guts to tell him I’m scared of flying.” He shakes his head. “Not scared. Terrified.”

I let the door close behind me.

“What’s your new job?”

He blinks. “Uh . . . car parts. I’m the new Senior Regional Manager bracket Spares close bracket for Hunt Motors.”

“Sounds like a big job,” I say. “You have . . . brackets.”

“I’ve been working for it a long time.” He swallows hard. “Which is why I don’t want to die in a ball of flame. I really don’t want to die in an airborne ball of flame.”

I am tempted to point out that it wouldn’t actually be an airborne ball of flame, more a rapidly descending one, but suspect it wouldn’t really help. He splashes his face again and I hand him another paper towel.

“Thank you.” He lets out another shaky breath and straightens up, attempting to pull himself together. “I bet you never saw a grown man behave like an idiot before, huh?”

“About four times a day.”

His tiny eyes widen.

“About four times a day I have to fish someone out of the men’s loos. And it’s usually down to fear of flying.”

He blinks at me.

“But you know, like I say to everyone else, no planes have ever gone down from this airport.”

His neck shoots back in his collar. “Really?”

“Not one.”

“Not even . . . a little crash on the runway?”

I shake my head.

“It’s actually pretty boring here. People fly off, go to where they’re going, come back again a few days later.” I lean against the door to prop it open. These lavatories never smell any better by the evening. “And anyway, personally, I think there are worse things that can happen to you.”

“Well, I suppose that’s true.”

He considers this, looks sideways at me. “Four a day, huh?”

“Sometimes more. Now if you wouldn’t mind, I really have to get back. It’s not good for me to be seen coming out of the men’s loos too often.”

He smiles, and for a minute I can see how he might be in other circumstances. A naturally ebullient man. A cheerful man. A man at the top of his game of continentally manufactured car parts.

“You know, I think I hear them calling your flight.”

“You reckon I’ll be okay.”

“You’ll be okay. It’s a very safe airline. And it’s just a couple of hours out of your life. Look, SK491 landed five minutes ago. As you walk to your departure gate, you’ll see the air stewards and stewardesses coming through on their way home and you’ll see them all chatting and laughing. For them, getting on these flights is pretty much like getting on a bus. Some of them do it two, three, four times a day. And they’re not stupid. If it wasn’t safe, they wouldn’t get on, would they?”

“Like getting on a bus,” he repeats.

“Probably an awful lot safer.”

“Well, that’s for sure.” He raises his eyebrows. “Lot of idiots on the road.”

I nod.

He straightens his tie. “And it’s a big job.”

“Shame to miss out on it, for such a small thing. You’ll be fine once you get used to being up there.”

“Maybe I will. Thank you . . .”

“Louisa,” I say.

“Thank you, Louisa. You’re a very kind girl.” He looks at me speculatively. “I don’t suppose . . . you’d . . . like to go for a drink sometime?”

“I think I hear them calling your flight, sir,” I say, and I open the door to allow him to pass through.

He nods, to cover his embarrassment, makes a fuss of patting his pockets. “Right. Sure. Well . . . off I go then.”

“Enjoy those brackets.”

It takes two minutes after he has left for me to discover he has been sick all over cubicle 3.

 • • • 

I arrive home at a quarter past one and let myself into the silent flat. I change out of my clothes and into my pajama bottoms and a hooded sweatshirt, then open the fridge, pulling out a bottle of white, and pouring a glass. It is lip-pursingly sour. I study the label and realize I must have opened it the previous night then forgotten to stopper the bottle, and then decide it’s never a good idea to think about these things too hard and I slump down in the chair with it.

On the mantelpiece are two cards. One is from my parents, wishing me a happy birthday. That “best wishes” from Mum is as piercing as any stab wound. The other is from my sister, suggesting she and Thom come down for the weekend. It is six months old. Two voice mails are on my phone, one from the dentist. One not.

Hi Louisa. It’s Jared here. We met in the Dirty Duck? Well, we hooked up [muffled, awkward laugh]. It was just . . . you know . . . I enjoyed it. Thought maybe we could do it again? You’ve got my digits . . .

When there is nothing left in the bottle, I consider buying another one, but I don’t want to go out again. I don’t want Samir at the Mini Mart grocers to make one of his jokes about my endless bottles of pinot grigio. I don’t want to have to talk to anyone. I am suddenly bone-weary, but it is the kind of head-buzzing exhaustion that tells me that if I go to bed I won’t sleep. I think briefly about Jared and the fact that he had oddly shaped fingernails. Am I bothered about oddly shaped fingernails? I stare at the bare walls of the living room and realize suddenly that what I actually need is air. I really need air. I open the hall window and climb unsteadily up the fire escape until I am on the roof.

The first time I’d come up, nine months earlier, the estate agent showed me how the previous tenants had made a small terrace garden, dotting around a few lead planters and a small bench. “It’s not officially yours, obviously,” he’d said. “But yours is the only flat with direct access to it. I think it’s pretty nice. You could even have a party up here!” I had gazed at him, wondering if I really looked like the kind of person who held parties.

The plants have long since withered and died. I am apparently not very good at looking after things. Now I stand on the roof, staring out at London’s winking darkness below. Around me a million people are living, breathing, eating, arguing. A million lives completely divorced from mine. It is a strange sort of peace.

The sodium lights glitter as the sounds of the city filter up into the night air, engines rev, doors slam. From several miles south comes the distant brutalist thump of a police helicopter, its beam scanning the dark for some vanished miscreant in a local park. Somewhere in the distance a siren wails. Always a siren. “Won’t take much to make this feel like home,” the real estate agent had said. I had almost laughed. The city feels as alien to me as it always has. But then everywhere does these days.

I hesitate, then take a step out onto the parapet, my arms lifted out to the side, a slightly drunken tightrope walker. One foot in front of the other, edging along the concrete, the breeze making the hairs on my outstretched arms prickle. When I first moved down here, when it all first hit me hardest, I would sometimes dare myself to walk from one end of my block to the other. When I reached the other end I would laugh into the night air. You see? I am here—staying alive—right out on the edge. I am doing what you told me!

It has become a secret habit: me, the city skyline, the comfort of the dark, and the anonymity and the knowledge that up here nobody knows who I am.

I lift my head, feel the night breezes, hear the sound of laughter below and the muffled smash of a bottle breaking, see the traffic snaking up toward the city, the endless red stream of taillights, an automotive blood supply. It is always busy here, above the noise and chaos. Only the hours between 3 to 5 a.m. are relatively peaceful, the drunks having collapsed into bed, the restaurant chefs having peeled off their whites, the pubs having barred their doors. The silence of those hours is interrupted only sporadically, by the night tankers, the opening up of the Jewish bakery along the street, the soft thump of the newspaper delivery vans dropping their paper bales. I know the subtlest movements of the city because I no longer sleep.

Somewhere down there a lock-in is taking place in the White Horse, full of hipsters and East Enders, and a couple are arguing outside, and across the city the general hospital is picking up the pieces of the sick and the injured and those who have just barely scraped through another day. Up here is just the air and the dark and somewhere the FedEx freight flight from LHR to Beijing, and countless travelers, like Mr. Scotch Drinker, on their way to somewhere new.

“Eighteen months. Eighteen whole months. So when is it going to be enough?” I say into the darkness. And there it is, I can feel it boiling up again, this unexpected anger. I take two steps along, glancing down at my feet. “Because this doesn’t feel like living. It doesn’t feel like anything.”

Two steps. Two more. I will go as far as the corner tonight.

“You didn’t give me a bloody life, did you? Not really. You just smashed up my old one. Smashed it into little pieces. What am I meant to do with what’s left? When is it going to feel—”

I stretch out my arms, feeling the cool night air against my skin, and realize I am crying again.

“Fuck you, Will,” I whisper. “Fuck you for leaving me.”

Grief wells up again like a sudden tide, intense, overwhelming. And just as I feel myself sinking into it, a voice says, from the shadows: “I don’t think you should stand there.”

I half turn, and catch a flash of a small, pale face on the fire escape, dark eyes wide open. In shock, my foot slips on the parapet, my weight suddenly on the wrong side of the drop. My heart lurches a split second before my body follows. And then, like a nightmare, I am weightless, in the abyss of the night air, my legs flailing above my head as I hear the shriek that may be my own—

Crunch

And then all is black.

 

 

2

What’s your name, sweetheart?”

A brace around my neck.

A hand feeling around my head, gently, swiftly.

I am alive. This is actually quite surprising.

“That’s it. Open your eyes. Look at me, now. Look at me. Can you tell me your name?”

I want to speak, to open my mouth, but my voice emerges muffled and nonsensical. I think I have bitten my tongue. There is blood in my mouth, warm and tasting of iron. I cannot move.

“We’re going to move you onto a spinal board, okay? You may be a bit uncomfortable for a minute, but I’m going to give you some morphine to make the pain a bit easier.” The man’s voice is calm, level, as if it were the most normal thing in the world to be lying broken on concrete, staring up at the dark sky. I want to laugh. I want to tell him how ridiculous it is that I am here. But nothing seems to work as it should.

The man’s face disappears from view. A woman in a neon jacket, her dark curly hair tied back in a ponytail, looms over me, shining a thin torch abruptly in my eyes and gazing at me with detached interest as if I were a specimen, not a person.

“Do we need to bag her?”

I want to speak but I’m distracted by the pain in my legs. Jesus, I say, but I’m not sure if I say it aloud.

“Multiple fractures. Pupils normal and reactive. BP ninety over sixty. She’s lucky she hit that awning. What are the odds of landing on a daybed, eh? . . . I don’t like that bruising though.” Cold air on my midriff, the light touch of warm fingers. “Internal bleeding?”

“Do we need a second team?”

“Can you step back please, sir? Right back?”

Another man’s voice. “I came outside for a smoke, and she dropped onto my bloody balcony. She nearly bloody landed on me.”

“Well there you go—it’s your lucky day. She didn’t.”

“I got the shock of my life. You don’t expect people to just drop out of the bloody sky. Look at my chair. That was eight hundred pounds from the Conran shop. . . . Do you think I can claim for it?”

A brief silence.

“You can do what you want, sir. Tell you what, you could charge her for cleaning the blood off your balcony while you’re at it. How about that?”

The first man’s eyes slide toward his colleague. Time slips, I tilt with it. I have fallen off a roof? My face is cold and I realize distantly that I have started to shake.

“She’s going into shock, Sam—”

A van door slides open somewhere below. And then the board beneath me moves and briefly the pain the pain the pain—everything turns black.

 • • • 

A siren and a swirl of blue. Always a siren in London. We are moving. Neon slides across the interior of the ambulance, hiccups and repeats, illuminating the unexpectedly packed interior. The man in the green uniform is tapping something into his phone, before turning to adjust the drip above my head. The pain has lessened—morphine?—but with consciousness comes a growing terror. It is a giant airbag inflating slowly inside me, steadily blocking out everything else. Oh, no. Oh, no.

“Egcuse nge?”

It takes two goes for the man, his arm braced against the back of the cab, to hear me. He turns and stoops toward my face. He smells of lemons and has missed a bit when shaving.

“You okay there?”

“Ang I—”

He leans down. “Sorry. Hard to hear over the siren. We’ll be at the hospital soon.” He places a hand on mine. It is dry and warm and reassuring. I am suddenly panicked in case he decides to let go. “Just hang in there. What’s our ETA, Donna?”

I can’t say the words. My tongue fills my mouth. My thoughts are muddled, overlapping. Did I move my arms when they picked me up? I lifted my right hand, didn’t I?

“Ang I garalysed?” It emerges as a whisper.

“What?” He drops his ear to somewhere near my mouth.

“Garalysed? Ang I garalysed?”

“Paralyzed?” He hesitates, his eyes on mine, then turns and looks down at my legs. “Can you wiggle your toes?”

I try to remember how to move my feet. It seems to require several more leaps of concentration than it used to. He reaches down and lightly touches my toe, as if to remind me where they are. “Try again. There you go.”

Pain shoots up both my legs. A gasp, possibly a sob. Mine.

“You’re all right. Pain is good. I can’t say for sure, but I don’t think there’s any spinal injury. You’ve done your hip, and a few other bits besides.”

His eyes are on mine. Kind eyes. He seems to understand how much I need convincing. I feel his hand close on mine. I have never needed a human touch more.

“Really. I’m pretty sure you’re not paralyzed.”

“Oh, thang Gog,” I hear my voice, as if from afar. My eyes brim with tears. “Please don leggo og me,” I whisper.

He moves his face closer. “I am not letting go of you.”

I want to speak, but his face blurs, and I am gone again.

 • • • 

Afterward they tell me I fell two floors of the five, bursting through an awning, breaking my fall on a top-of-the-line, outsized, canvas-and-wicker-effect, waterproof-cushioned sun lounger on the balcony of Mr. Antony Gardiner, a copyright lawyer and neighbor I have never met. My hip smashes into two pieces and two of my ribs and my collarbone snap straight through. I break two fingers on my left hand, and a metatarsal, which pokes through the skin of my foot and causes one of the medical students to faint. My X-rays are a source of some fascination.

I keep hearing the voice of the paramedic who treated me: You never know what will happen when you fall from a great height. I am apparently very lucky. They tell me this and wait, smiling, as if I should respond with a huge grin, or perhaps a little tap dance. I don’t feel lucky. I don’t feel anything. I doze and wake and sometimes the view is the bright lights of an operating theater and then it is a quiet, still room. A nurse’s face. Snatches of conversation.

Did you see the mess the old woman on D4 made? That’s some end of a shift, eh?

You work up at the Princess Elizabeth, right? You can tell them we know how to run an ER. Hahahahaha.

You just rest now, Louisa. We’re taking care of everything. Just rest now.

The morphine makes me sleepy. They up my dose and it’s a welcome, cold trickle of oblivion.

 • • • 

I open my eyes to find my mother at the end of my bed.

“She’s awake. Bernard, she’s awake. Do we need to get the nurse?”

She’s changed the color of her hair, I think distantly. And then: Oh. It’s my mother. My mother doesn’t talk to me anymore.

“Oh, thank God. Thank God.” My mother reaches up and touches the crucifix around her neck. It reminds me of someone but I cannot think who. She leans forward and lightly strokes my cheek. For some reason this makes my eyes fill immediately with tears.

“Oh, my little girl.” She is leaning over me, as if to shelter me from further damage. I smell her perfume, as familiar as my own. “Oh, Lou.”

She mops my tears with a tissue.

“I got the fright of my life when they called. Are you in pain? Do you need anything? Are you comfortable? What can I get you?”

She talks so fast that I cannot answer. “We came as soon as they said. Treena’s looking after Granddad. He sends his love. Well, he sort of made that noise, you know, but we all know what he means. Oh, love, how on earth did you get yourself into this mess? What on earth were you thinking?”

She does not seem to require an answer. All I have to do is lie there. My mother dabs at her eyes, and then again at mine.

“You’re still my daughter. And . . . and I couldn’t bear it if something happened to you and we weren’t . . . you know.”

“Ngung—” I swallow over the words. My tongue feels ridiculous. I sound drunk. “I ngever wanged—”

“I know. But you made it so hard for me, Lou. I couldn’t—”

“Not now, love, eh?” Dad touches her shoulder.

Her words tail off. She looks away into the middle distance and takes my hand. “When we got the call. Oh. I thought—I didn’t know—” She is sniffing again, her handkerchief pressed to her lips. “Thank God she’s okay, Bernard.”

“Of course she is. Made of rubber, this one, eh?”

Dad looms over me. We had last spoken on the telephone two months earlier, but I have not seen him in person for the eighteen months since I left my hometown. He looks enormous and familiar and desperately, desperately tired.

“Shorry,” I whisper. I can’t think what else to say.

“Don’t be daft. We’re just glad you’re okay. Even if you do look like you’ve done six rounds with Mike Tyson. Have you actually looked in a mirror since you got here?”

I shake my head.

“Maybe . . . I might just hold off a bit longer. You know Terry Nicholls, that time he went right over his handlebars by the Mini Mart? Well, take off the mustache, and that’s pretty much what you look like. Actually”—he peers closer at my face—“now that you mention it . . .”

“Bernard.”

“We’ll bring you some tweezers tomorrow. Anyway, the next time you decide you want flying lessons, let’s head down the ol’ airstrip, yes? Jumping and flapping your arms is plainly not working for you.”

I try to smile.

They both bend over me. Their faces are strained, anxious. My parents.

“She’s got thin, Bernard. Don’t you think she’s got thin?”

Dad leans closer, and then I see how his eyes have grown a little watery. How his smile is a bit wobblier than usual.

“Ah . . . she looks beautiful, love. Believe me. You look bloody beautiful.” He squeezes my hand, then lifts it to his mouth and kisses it. My dad has never done anything like that to me in my whole life.

It is then that I realize they thought I was going to die and a sob bursts unannounced from my chest. I shut my eyes against the hot tears and feel his large, wood-roughened palm around mine.

“We’re here, sweetheart. It’s all right now. It’s all going to be okay.”

 • • • 

They make the fifty-mile journey every day for two weeks, catching the early train down, and then after that, come every few days. Dad gets special dispensation from work because Mum won’t travel by herself. There are, after all, all sorts in London. This is said more than once and always accompanied by a furtive glance behind her, as if a knife-wielding hoodlum is even now sneaking into the ward. Treena is staying over to keep an eye on Granddad. There is an edge to the way Mum says it that makes me think this might not be my sister’s first choice of arrangements.

Mum has brought homemade food to the hospital ever since the day we all stared at my lunch and, despite five whole minutes of intense speculation couldn’t work out what it actually was. “And in plastic trays, Bernard. Like a prison.” She prodded it sadly with a fork, then sniffed the residue. She now arrives daily with enormous sandwiches—thick slices of ham or cheese in white bloomer bread—and homemade soups in flasks (“Food you can recognize”) and feeds me like a baby. My tongue slowly returns to its normal size. Apparently I’d almost bitten through it when I landed. It’s not unusual, they tell me.

I have two operations to pin my hip, and my left foot and left arm are in plaster up to my joints. Keith, one of the porters, asks if he can sign my casts—apparently it’s bad luck to have them virgin white—and promptly writes a comment so filthy that Eveline, the Filipina nurse, has to put a plaster on it before the consultant comes around. When Keith pushes me to X-ray or to the pharmacy, he tells me the gossip from around the hospital. I could do without hearing about the patients who die slow and horrible deaths, of which there seem to be an endless number, but it keeps him happy. I sometimes wonder what he tells people about me. I am the girl who fell off a five-story building and lived. In hospital status, this apparently puts me some way above the compacted bowel in C ward, or That Daft Bint Who Accidentally Took Her Thumb Off With Pruning Shears.

It is amazing how quickly you become institutionalized. I wake, accept the ministrations of a handful of people whose faces I now recognize, try to say the right thing to the consultants, and wait for my parents to arrive. My parents keep busy with small tasks in my room and become uncharacteristically deferential in the face of the doctors. Dad apologizes repeatedly for my inability to bounce, until Mum kicks him, quite hard, in the ankle.

After the rounds are finished, Mum usually has a walk around the concourse shops downstairs and returns exclaiming in hushed tones at the number of fast-food outlets. “That one-legged man from the cardio ward, Bernard. Sitting down there stuffing his face with cheeseburgers and chips, like you wouldn’t believe.”

Dad sits and reads the local paper in the chair at the end of my bed. The first week he keeps checking it for reports of my accident. I try to tell him that in this part of the city even the double murders barely merit a News In Brief, but in Stortfold the previous week the local paper’s front page ran with “Supermarket Trolleys Left in Wrong Area of Car Park.” The week before that it was “Schoolboys Sad at State of Duck Pond,” so he is yet to be convinced.

 • • • 

On the Friday after the final operation to pin my hip, my mother brings a dressing gown that is one size too big for me, and a large brown paper bag of egg sandwiches. I don’t have to ask what they are; the sulfurous smell floods the room as soon as she opens the bag. My father mouths an apology, waving his hand in front of his nose. “The nurses’ll be blaming me, Josie,” he says, closing the door of my room.

“Eggs will build her up. She’s too thin. And besides, you can’t talk. You were blaming the dog for your awful smells two years after he’d died.”

“Just keeping the romance alive, love.”

Mum lowers her voice. “Treena says her last fellow put the blankets over her head when he broke wind. Can you imagine!”

Dad turns to me. “When I do it, your mother won’t even stay in the same postcode.”

There is tension in the air, even as they laugh. I can feel it. When your whole world shrinks to four walls, you become acutely attuned to slight variations in atmosphere. It’s in the way consultants turn away slightly when they are examining X-rays, or the way the nurses cover their mouths when they’re talking about someone who has just died nearby.

“What?” I say. “What is it?”

They look awkwardly at each other.

“So . . .” Mum sits on the end of my bed. “The doctor said . . . the consultant said . . . it’s not clear how you fell.”

I bite into an egg sandwich. I can pick things up with my left hand now. “Oh, that. I got distracted.”

“While walking around a roof.”

I chew for a minute.

“Is there any chance you were sleepwalking, sweetheart?”

“Dad—I’ve never sleepwalked in my life.”

“Yes, you have. There was that time when you were thirteen and you sleepwalked downstairs and ate half of Treena’s birthday cake.”

“Um. I may not have actually been asleep.”

“And there’s your blood-alcohol level. They said . . . you had drunk . . . an awful lot.”

“I had a tough night at work, and I had a drink or two and I just went up on the roof to get some air. And then I got distracted by a voice.”

“You heard a voice.”

“I was just standing on the top—looking out. I do it sometimes. And there was this girl’s voice behind me and it gave me a shock and I lost my footing.”

“A girl?”

“I only really heard her voice.”

Dad leans forward. “You’re sure it was an actual girl? Not an imaginary . . .”

“It’s my hip that’s mashed up, Dad, not my brain.”

“They did say it was a girl who called the ambulance.” Mum touches Dad’s arm.

“So you’re saying it really was an accident,” he says.

I stop eating. They look away from each other guiltily.

“What? You . . . you think I jumped off?”

“We’re not saying anything.” Dad scratches his head. “It’s just—well—things had all gone so wrong since . . . and we hadn’t seen you for so long . . . and we were a bit surprised that you’d be up walking on the roof of a building in the wee small hours. You used to be afraid of heights.”

“I used to be engaged to a man who thought it was normal to calculate how many calories he’d burned while he slept. Jesus. This is why you’ve been so nice to me? You think I tried to kill myself?”

“It’s just he was asking us all sorts. . . .”

“Who was asking what?”

“The psychiatrist bloke. They just want to make sure you’re okay, love. We know things have been all—well, you know—since—”

“Psychiatrist?”

“They’re putting you on the waiting list to see someone. To talk, you know. And we’ve had a long chat with the doctors and you’re coming home with us. Just while you recover. You can’t stay by yourself in that flat of yours. It’s—”

“You’ve been in my flat?”

“Well, we had to fetch your things.”

There is a long silence. I think of them standing in my doorway, my mother’s hands tight on her bag as she surveys the unwashed bed linen, the empty wine bottles lined up in a row on the mantelpiece, the solitary half-bar of Fruit and Nut in the fridge. I picture them shaking their heads, looking at each other. Are you sure we’ve got the right place, Bernard?

“Right now you need to be with your family. Just till you’re back on your feet.”

I want to say I’ll be fine in my flat, no matter what they think of it. I want to do my job and come home and not think until my next shift. I want to say I can’t go back to Stortfold and be That Girl again, The One Who. I don’t want to have to feel the weight of my mother’s carefully disguised disapproval, of my father’s cheerful determination that it’s all okay, everything is just fine, as if saying it enough times will actually make it okay. I don’t want to pass Will’s house every day, to think about what I was part of, the thing that will always be there.

But I don’t say any of it. Because suddenly I’m tired and everything hurts and I just can’t fight anymore.

 • • • 

Dad brings me home two weeks later in his work van. There is only room for two in the front, so Mum has stayed behind to prepare the house, and as the motorway speeds by beneath us, I find my stomach tightening nervously.

The cheerful streets of my hometown feel foreign to me now. I look at them with a distant, analytical eye, noting how small everything appears, how tired, how twee. Even the castle looks smaller, perched on top of the hill. I realize this is how Will must have seen it when he first came home after his accident, and push the thought away. As we drive down our street, I find myself sinking slightly in my seat. I don’t want to make polite conversation with neighbors, to explain myself. I don’t want to be judged for what I did.

“You okay?” Dad turns, as if he guesses something of what’s going through my head.

“Fine.”

“Good girl.” He puts a hand briefly on my shoulder.

Mum is already at the door as we pull up. I suspect she has actually been standing by the window for the past half hour. Dad puts one of my bags on the step and then comes back to help me out, hoisting the other over his shoulder.

I place my cane carefully on the paving stones, and I feel the twitching of curtains behind me as I make my way slowly up the path. Look who it is, I can hear them whispering. What do you think she’s done now?

Dad steers me forward, watching my feet carefully, as if they might suddenly shoot out and go somewhere they shouldn’t. “Okay there?” he keeps saying. “Not too fast now.”

I can see Granddad hovering behind Mum in the hall, wearing his checked shirt and his good blue jumper. Nothing has changed. The wallpaper is the same. The hall carpet is the same, the lines in the worn pile visible from where Mum must have vacuumed that morning. I can see my old blue anorak hanging on the hook. Eighteen months. I feel as if I have been away for a decade.

“Don’t rush her,” Mum says, her hands pressed together. “You’re going too fast, Bernard.”

“She’s hardly flipping Mo Farah. If she goes any slower we’ll be moonwalking.”

“Watch those steps. Should you stand behind her, Bernard, coming up the steps? You know, in case she falls backward?”

“I know where the steps are,” I say through gritted teeth. “I only lived here for twenty-six years.”

“Watch she doesn’t catch herself on that lip there, Bernard. You don’t want her to smash the other hip.”

Oh, God, I think. Is this what it was like for you, Will? Every single day?

And then my sister is in the doorway, pushing past Mum. “Oh, for God’s sake, Mum. Come on, Hopalong. You’re turning us into a freaking sideshow.”

Treena wedges her arm under my armpit and turns briefly to glare at the neighbors, her eyebrows raised as if to say really? I can almost hear the swishing of curtains as they close.

“Bunch of bloody rubberneckers. Anyway, hurry up. I promised Thomas he could see your scars before I take him to youth club. God, how much weight have you lost? Your boobs must look like two tangerines in a pair of socks.”

It is hard to laugh and walk at the same time. Thomas runs to hug me so that I have to stop and put a hand out against the wall to keep my balance as we collide. “Did they really cut you open and put you back together?” he says. His head comes up to my chest. He is missing four front teeth. “Grandpa says they probably put you back together all the wrong way. And God only knows how we’ll tell the difference.”

“Bernard!”

“I was joking.”

“Louisa.” Granddad’s voice is thick and hesitant. He reaches forward unsteadily and hugs me and I hug him back. He pulls away, his old hands gripping my arms surprisingly tightly, and frowns at me, a mock anger.

“I know, Daddy. I know. But she’s home now,” says Mum.

“You’re back in your old room,” says Dad. “I’m afraid we redecorated with Transformers wallpaper for Thom. You don’t mind the odd Autobot and Predacon, right?”

“I had worms in my bottom,” says Thomas. “Mum says I’m not to talk about it outside the house. Or put my fingers up my—”

“Oh, good Lord,” says Mum.

“Welcome home, Lou,” says Dad, and promptly drops my bag on my foot.

 

 

3

Looking back, for the first nine months after Will’s death I was in a kind of daze. I went straight to Paris and simply didn’t go home, giddy with freedom, with the appetites that Will had stirred in me. I got a job at a bar favored by expats where they didn’t mind my terrible French, and I grew better at it. I rented a tiny attic room in the 16th, above a Middle Eastern restaurant, and I would lie awake at night and listen to the sound of the late drinkers and the early morning deliveries and every day I felt like I was living someone else’s life.

Those early months, it was as if I had lost a layer of skin—I woke up laughing, or crying. I felt everything more intensely, saw everything as if a filter had been removed. I ate new foods, walked strange streets, spoke to people in a language that wasn’t mine.

Sometimes I felt haunted by him, as if I were seeing it all through his eyes, hearing his voice in my ear.

What do you think of that, then, Clark?

I told you you’d love this.

Eat it! Try it! Go on!

I felt lost without our daily routines. It took weeks for my hands not to feel useless without daily contact with his body: the soft shirt I would button; the warm, motionless hands I would wash gently; the silky hair I could still feel between my fingers. I missed his voice, his abrupt, hard-earned laugh, the feel of his lips against my fingers, the way his eyelids would lower when he was about to drop off to sleep. My mother, still aghast at what I had been part of, had told me that while she loved me, she could not reconcile this Louisa with the daughter she had raised. So with the loss of my family as well as the man I had loved, every thread that had linked me to who I was had been abruptly cut. I felt as if I had simply floated off, untethered, to some unknown universe.

So I acted out a new life. I made casual, arm’s-length friendships with other travelers: young English students on gap years; Americans retracing the steps of literary heroes, certain that they would never return to the Midwest; wealthy young bankers; day-trippers; a constantly changing cast that drifted in and through and past, escapees from other lives. I smiled and I chatted and I worked and I told myself I was doing what he had wanted. I had to take some comfort, at least, in that. Didn’t I?

Winter loosened its grip and the spring was beautiful. Then almost overnight I woke up one morning and realized I had fallen out of love with the city. Or, at least, I didn’t feel Parisian enough to stay. The stories of the expats began to sound wearyingly similar, the Parisians started to seem unfriendly, or, at least, I noticed, several times a day, the myriad ways in which I would never quite fit in. The city, compelling as it was, felt like a glamorous couture dress I had bought in haste but that didn’t quite fit me after all. I handed in my notice and went traveling around Europe.

No two months had ever left me feeling more inadequate. I was lonely almost all the time. I hated not knowing where I was going to sleep each night, was permanently anxious about train timetables and currency, and had difficulty making friends when I didn’t trust anyone I met. And what could I say about myself, anyway? When people asked me, I could give them only the most cursory details. All the stuff that was important or interesting about me was what I couldn’t share. Without someone to talk to, every sight I saw—whether it was the Trevi Fountain or a canal in Amsterdam—felt simply like a name on a list that I needed to check off. I spent the last week on a beach in Greece that reminded me too much of a beach I had been on with Will only months before, and finally after a week of sitting on the sand fending off bronzed men who all seemed to be called Dmitri and trying to tell myself I was actually having a good time I gave up and returned to Paris. Mostly because that was the first time it had occurred to me that I had nowhere else to go.

For two weeks I slept on the sofa of a girl I’d worked with at the bar, while I tried to figure out what to do next. Recalling a conversation I’d had with Will about careers, I wrote to several colleges about fashion courses, but I had no portfolio of work to show them and they rebuffed me politely. The course I had originally won after Will died was awarded to someone else because I had failed to defer. I could apply again next year, the administrator said, in the tones of someone who knew I wouldn’t.

I looked online at jobs websites and realized that, despite everything I had been through, I was still unqualified for any of the kinds of jobs I might actually be interested in doing. And then by chance, just as I was wondering what to do next, Michael Lawler, Will’s lawyer, rang me and suggested it was time to do something with the money Will had left me. It was the excuse to move that I needed. He helped me negotiate a deal on a scarily overpriced two-bedroom flat on the edge of the Square Mile—a neighborhood I chose largely because I remembered Will once talking about the wine bar on the corner and it made me feel a bit closer to him—and there was enough money left over with which to furnish it. Then six weeks later I came back to England, got a job at the Shamrock and Clover, slept with a man called Phil whom I would never see again, and waited to feel as if I had really started living.

Nine months on I was still waiting.

 • • • 

I didn’t go out much that first week home. I was sore and grew tired quickly, so it was easy to lie in bed and doze, wiped out by extrastrength painkillers, and tell myself that letting my body recover was all that mattered. In a weird way, being back in our little family house suited me; it was the first place I had managed to sleep more than four hours at a stretch since I had left; it was small enough that I could always reach out for a wall to support myself. Mum fed me, Granddad kept me company (Treena had gone back to college, taking Thom with her), and I watched a lot of daytime television, marveling at its never-ending advertisements for loan companies and stairlifts, and its preoccupation with minor celebrities whom the better part of a year abroad had left me unable to recognize. It was like being in a little cocoon, one that, admittedly, had a whacking great elephant squatting in its corner.

We did not talk about anything that might upset this delicate equilibrium. I would watch whatever celebrity news that daytime television served up and then say at supper, “Well, what about that Shayna West, then, eh?” And Mum and Dad would leap on the topic gratefully, remarking that she was a trollop or had nice hair or that she was no better than she should be. We covered Bargains That Could Be Found in Your Attic (“I always wonder what that Victorian planter of your mother’s would have been worth . . . ugly old thing”) and Ideal Homes in the Country (“I wouldn’t wash a dog in that bathroom”). I did not think beyond each mealtime, beyond the basic challenges of getting dressed and brushing my teeth and completing whatever tiny tasks my mother set me (“You know, love, when I’m out, if you could sort out your washing, I’ll do it with my coloreds”).

But like a creeping tide, the outside world steadily insisted on intruding. I heard the neighbors asking questions of my mother as she hung out the washing. “Your Lou home, then, is she?” And Mum’s uncharacteristically curt response: “She is.”

I found myself avoiding the rooms in the house from which I could see the castle. But I knew it was there, the people in it living, breathing links to Will. Sometimes I wondered what had happened to them. While in Paris I had been forwarded a letter from Mrs. Traynor, thanking me formally for everything I had done for her son. “I am conscious that you did everything you could.” But that was it. That family had gone from being my whole life to a ghostly remnant of a time I wouldn’t allow myself to remember.

Now, as our street sat moored in the shadow of the castle for several hours every evening, I felt the Traynors’ presence like a rebuke.

I’d been there for two weeks before I realized that Mum and Dad no longer went to their social club. “Isn’t it Tuesday?” I asked on the third week as we sat around the dinner table. “Shouldn’t you be gone by now?”

They glanced at each other. “Ah, no. We’re fine here,” Dad said, chewing on a piece of his pork chop.

“I’m fine by myself, honestly,” I told them. “I’m much better now. And I’m quite happy watching television.” I secretly longed to sit, unobserved, with nobody else in the room. I had barely been left alone for more than half an hour at a time since I’d come home. “Really. Go out and enjoy yourselves. Don’t mind me.”

“We . . . we don’t really go to the club anymore,” said Mum, not looking at me as she sliced through a potato.

“People . . . they had a lot to say. About what went on.” Dad shrugged. “In the end it was easier just to stay out of it.” The silence that followed this disclosure lasted a full six minutes.

And there were other, more concrete reminders of the life I had left behind. Ones that wore skin-tight running pants with special wicking properties.

It was on the fourth morning that Patrick jogged past our house when I realized it might be more than coincidence. I had heard his voice the first day and limped blearily to the window, peering through the blind. And there he was below me, stretching out his hamstrings while talking to a girl with a blond ponytail and clad in matching blue Lycra so tight I could pretty much figure out what she’d had for breakfast. They looked like two Olympians missing a bobsled. I stood back from the window in case he looked up and saw me, and within a minute they were gone again, jogging down the road, backs erect, legs pumping, like a pair of glossy turquoise carriage ponies.

Two days later I was getting dressed when I heard them again. Patrick was saying something loudly about carb loading, and this time the girl flicked a suspicious gaze toward my house, as if she were wondering why they had stopped in exactly the same place twice.

On the third day I was in the front room with Granddad when they arrived. “We should practice sprints,” Patrick was saying loudly. “Tell you what, you go to the fourth lamppost and back and I’ll time you. Two-minute intervals. Go!”

Granddad looked at me, and then rolled his eyes meaningfully.

“Has he been doing this the whole time I’ve been back?”

Granddad’s eyes rolled pretty much into the back of his head.

I watched through the net curtains as Patrick fixed his eyes on his stopwatch, his best side presented to my window. He was wearing a black fleece zip-up top and matching Lycra shorts, and as he stood, a few feet from the other side of the curtain, I was able to gaze at him, quietly amazed that this was someone I had been sure, for so long, I’d loved.

“Keep going!” he yelled, looking up from his stopwatch. And like an obedient gun dog, the girl touched the lamppost beside him and bolted away again. “Forty-two point three-eight seconds,” he said approvingly when she returned, panting. “I reckon you could shave another point five of a second off that.”

“That’s for your benefit,” said my mother, who had walked in bearing two mugs.

“I did wonder.”

“His mother asked me in the supermarket were you back and I said yes, you were. Don’t look at me like that—I could hardly lie to the woman.” She nodded toward the window. “That one’s had her boobs done. They’re the talk of Stortfold. Apparently you could rest two cups of tea on them.” She stood beside me for a moment. “You know they’re engaged?”

I waited for the pang, but it was so mild it could have been wind. “They look . . . well suited.”

My mother stood there for a moment, watching him. “He’s not a bad sort, Lou. You just . . . changed.” She handed me a mug and turned away.

 • • • 

Finally, on the morning he stopped to do push-ups on the pavement outside the house, I opened the front door and stepped out. I leaned against the porch, my arms folded across my chest, watching until he looked up.

“I wouldn’t stop there for too long. Next door’s dog is a bit partial to that bit of pavement.”

“Lou!” he exclaimed, as if I were the very last person he expected to see standing outside my own house, which he had visited several times a week for the seven years we had been together. “Well. I . . . I’m surprised to see you back. I thought you were off to conquer the big wide world!”

His fiancée, who was doing push-ups beside him, looked up and then back down at the pavement. It might have been my imagination, but her buttocks may have clenched even more tightly. Up, down, she bobbed, furiously. Up and down. I found myself worrying slightly for the welfare of her new bosom.

He bounced to his feet. “This is Caroline, my fiancée.” He kept his eyes on me, perhaps waiting for some kind of reaction. “We’re training for the next Ironman. We’ve done two together already.”

“How . . . romantic,” I said.

“Well, Caroline and I feel it’s good to do things together,” he said.

“So I see,” I replied. “And his and hers turquoise Lycra!”

“Oh. Yeah. Team colors.”

There was a short silence.

I gave a little air punch. “Go, team!”

Caroline sprang to her feet and began to stretch out her thigh muscles, folding her leg behind her like a stork. She nodded toward me, the least civility she could reasonably get away with.

“You’ve lost weight,” he said.

“Yeah, well. A saline-drip diet will do that to you.”

“I heard you had an. . . . accident.” He cocked his head sideways, sympathetically.

“News travels fast.”

“Still. I’m glad you’re okay.” He sniffed, looked down the road. “It must have been hard for you this past year. You know. Doing what you did and all.”

And there it was. I tried to keep control of my breathing. Caroline resolutely refused to look at me, extending her leg in a hamstring stretch.

“Anyway . . . congratulations on the marriage.”

He surveyed his future wife proudly, lost in admiration of her sinewy leg. “Well, it’s like they say—you just know when you know.” He gave me a faux-apologetic smile. And that was what finished me off.

“I’m sure you did. And I guess you’ve got plenty put aside to pay for the wedding? They’re not cheap, are they?”

They both looked up at me.

“What with selling my story to the newspapers. What did they pay you, Pat? A couple of thousand? Treena never could find out the exact figure. Still, Will’s death should be good for a few matching Lycra onesies, right?”

The way Caroline’s face shot toward his told me this was one particular part of Patrick’s history that he had not yet gotten around to sharing.

He stared at me, two pinpricks of color bleeding onto his face. “That was nothing to do with me.”

“Of course not. Nice to see you, anyway, Pat. Good luck with the wedding, Caroline! I’m sure you’ll be the . . . the . . . firmest bride around.” I turned and walked slowly back inside. I closed the door, resting against it, my heart thumping, until I could be sure that they had both finally jogged on.

“Arse,” said Granddad as I limped back into the living room, and then again, glancing dismissively at the window: “Arse.” He chuckled.

I stared at him. And then, completely unexpectedly, I found I had started to laugh, for the first time in as long as I could remember.

 • • • 

“So did you decide what you’re going to do? When you’re better?”

I was lying on my bed. Treena was calling from college, while she waited for Thomas to come out of his football club. I stared up at the ceiling, on which Thomas had stuck a whole galaxy of Day-Glo stickers that apparently nobody could remove without bringing half the ceiling with them.

“Not really.”

“You’ve got to do something. You can’t sit around here on your backside for all eternity.”

“I won’t sit on my backside. Besides, my hip still hurts. The physio said I’m better off lying down.”

“Mum and Dad are wondering what you’re going to do. There are no jobs in Stortfold.”

“Treen, I just fell off a building. I’m recuperating.”

“And before that you were wafting around traveling. And then you were working in a bar until you knew what you wanted to do. You’ll have to sort out your head at some point. If you’re not going back to school, then you have to figure out what it is you’re actually going to do with your life. I’m just saying. Anyway, if you’re going to stay in Stortfold, you need to rent out that London flat. Mum and Dad can’t support you forever.”

“This from the woman who has been supported by the Bank of Mum and Dad for the past eight years.”

“I’m in full-time education. That’s different. So anyway, I went through your bank statements while you were in hospital and after I paid all your bills, I worked out that you’ve got about fifteen hundred pounds left, including statutory sick pay. By the way, what the hell were all those transatlantic phone calls? They cost you a fortune.”

“None of your business.”

“So I made you a list of estate agents in the area who do rentals. And then I thought maybe we could take another look at college applications. Someone might have dropped out of that course you wanted.”

“Treen. You’re making me tired.”

“No point hanging around. You’ll feel better once you’ve got some focus.”

For all that it was annoying, there was also something reassuring about my sister nagging at me. Nobody else dared to. It was as if my parents still believed there was something very wrong at the heart of me, and that I must be treated with kid gloves. Mum laid out my washing, neatly folded, on the end of my bed and cooked me three meals a day, and when I caught her watching me she would smile, an awkward half smile, which covered everything we didn’t want to say to each other. Dad took me to my physio appointments and sat beside me on the sofa to watch television and didn’t even take the Mickey out of me. Treen was the only one who treated me like she always had.

“You know what I’m going to say, don’t you?”

I turned over onto my side, wincing.

“I do. And don’t.”

“Well, you know what Will would have said. You had a deal. You can’t back out of it.”

“Okay. That’s it, Treen. We’re done with this conversation.”

“Fine. Thom’s just coming out of the changing rooms. See you Friday!” she said, as if we had just been talking about music or where she was going on holiday, or soap.

And I was left staring at the ceiling.

You had a deal.

Yeah. And look how that turned out.

 • • • 

For all Treen moaned at me, in the weeks that had passed since I’d come home I had made some progress. I’d stopped using the cane, which had made me feel around eighty-nine years old, and which I had managed to leave behind in almost every place I’d visited since coming home. Most mornings I took Granddad for a walk around the park, at Mum’s request. The doctor had instructed him to take daily exercise but when she had followed him one day she had found he was simply walking to the corner shop to buy a bumper pack of pork rinds and then eating them on a slow walk home again.

We walked slowly, both of us with a limp, and neither of us with any real place to be.

Mum kept suggesting we do the grounds of the castle “for a change of scene,” but I ignored her, and as the gate shut behind us each morning Granddad nodded firmly in the direction of the park anyway. It wasn’t just because this way was shorter, or closer to the betting shop. I think he knew I didn’t want to go back there. I wasn’t ready. I wasn’t sure I would ever be ready.

We did two slow circuits of the duck pond, and sat on a bench in the watery spring sunshine and watched the toddlers and their parents feeding the fat ducks, and the teenagers smoking and yelling and whacking each other in the helpless combat of early courtship. We took a stroll over to the bookies so Granddad could lose three pounds on an each-way bet on a horse called Wag the Dog. Then as he crumpled up his betting slip and threw it in the bin, I said I’d buy him a jam doughnut from the supermarket.

“Oh fat,” he said, as we stood in the bakery section.

I frowned at him.

“Oh fat,” he said, pointing at our doughnuts, and laughed.

“Oh. Yup. That’s what we’ll tell Mum. Low-fat doughnuts.”

Mum said his new medication made him giggly. I had decided there were worse things that could happen to you.

Granddad was still giggling at his own joke as we queued up at the checkout. I kept my head down, digging in my pockets for change. I was thinking about whether I would help Dad with the garden that weekend. So it took a minute to grasp what was being said in whispers behind me.

“It’s the guilt. They say she tried to jump off a block of flats.”

“Well, you would, wouldn’t you? I know I couldn’t live with myself.”

“I’m surprised she can show her face around here.”

I stood very still, my hands rigid in my pockets.

“You know poor Josie Clark is still mortified. She takes confession every single week and you know that woman is as blameless as a line of clean laundry.”

Granddad was pointing at the doughnuts and mouthing oh fat at the checkout girl.

She smiled politely. “Eighty-six pence, please.”

“The Traynors have never been the same.”

“Well, it destroyed them, didn’t it?”

“Eighty-six pence, please.”

It took me several seconds to register that the checkout girl was looking at me, waiting. I pulled a handful of coins from my pocket. My fingers fumbled as I tried to sort through them.

“You’d think Josie wouldn’t dare leave her in sole charge of her granddaddy, wouldn’t you?”

“You don’t think she’d—”

“Well, you don’t know. She’s done it the once, after all . . .”

My cheeks were flaming. My money clattered onto the counter. Granddad was still repeating, “Oh fat. Oh fat.” at the bemused checkout girl, waiting for her to get the joke. I pulled at his sleeve. “Come on, Granddad, we have to go.”

“Oh fat,” he insisted, again.

“Right.” She said, and smiled kindly.

“Please, Granddad.” I felt hot and dizzy, like I might faint. They might have still been talking but my ears were ringing so loudly I couldn’t tell.

“’Bye-bye,” he said.

“’Bye then,” said the girl.

“Nice,” said Granddad as we emerged into the sunlight. Then, looking at me: “Why you crying?”

 • • • 

So here is the thing about being involved in a catastrophic, life-changing event. You think it’s just the catastrophic, life-changing event that you’re going to have to deal with: the flashbacks, the sleepless nights, the endless running back over events in your head, asking yourself if you had done the right thing, said the things you should have said, whether you could have changed things had you done them even a degree differently.

My mother had told me that being there with Will at the end would affect the rest of my life, and I had thought she meant me, psychologically. I thought she meant the guilt I would have to learn to get over, the grief, the insomnia, the weird, inappropriate bursts of anger, the endless internal dialogue with someone who wasn’t even there. But what I now discovered is that it wasn’t just me. I had become that person and in a digital age I would be that person forever. It was in that faint swivel of heads when you walked through a busy street—“Is that—?” Even if I managed to wipe the whole thing from my memory, I would never be allowed to disassociate from Will’s death. My name would always be tied to his. People would form judgments about me based on the most cursory knowledge—or sometimes no knowledge at all—and there was nothing I could do about it.

I cut my hair into a bob. I changed the way I dressed, bagged up everything that had ever made me distinctive, and stuffed those bags into the back of my wardrobe. I adopted Treena’s uniform of jeans and a generic tee. Now, when I read newspaper stories about the bank teller who had stolen a fortune, the woman who had killed her child, the sibling who had disappeared, I found myself not shuddering in horror, as I once might have, but wondering instead at the part of the story that hadn’t made it into print.

What I felt with them was a weird kinship. I was tainted. The world around me knew it. Worse, I had started to know it too.

 • • • 

I tucked what remained of my dark hair into a beanie and put on my sunglasses and then I walked to the library, doing everything I could not to let my limp show, even though it made my jaw ache with concentration.




From the Hardcover edition.

Most helpful customer reviews

395 of 424 people found the following review helpful.
Not nearly as good at Me Before You, IMO. *spoiler-free*
By Heather
I hate to upset fans of Me Before You (hell, I'm a huge fan of Me Before You), but this was a very underwhelming sequel. I think if you are expecting the emotional punch of the first book you are going to be sorely disappointed.

I'm not ashamed to say that Me Before You had me up reading until very late at night and then crying my eyes out until very early the next morning. It was the kind of book that sticks with you, the kind of book that is extremely hard to follow up. It ended on a very powerful note, so any book that calls itself a "sequel" has to match that kind of power. This didn't, not even close.

We follow Lou's life a year and a half after the death of Will, and we see what her life has become. Honestly, I didn't enjoy this Lou very much. Gone is any spark, any vitality, any humor, and without those aspects of her personality I had trouble staying engaged with her. I didn't like this pushover Lou, and I barely recognized her from the previous book.

Her life is wholly depressing. Lou is stuck completely in this sort of limbo, and reading about her mostly boring day to day things felt one note and tedious. Lou's family details, like her mother's newfound feminism and her sister's meddling, seemed contrived and almost silly. I didn't get what those side plots added to the story, and I didn't find them compelling.

Lou's love interest was just... there. He was sexy in a classic romance way- the patient, motorcycle-riding savior- but I simply didn't feel the chemistry between him and Lou. It felt like a relationship without weight, certainly without the intensity of Lou's relationship with Will. If you are going to present a love interest to follow the one from Me Before You, it would have to be absolutely epic... this wasn't.

And don't get me started on Lily. No spoilers from me, but Lily just irritated me to no end. She was SO selfish, and I struggled to feel much sympathy for her rich girl plight. I know the author tried to give us reasons to empathize with Lily, especially near the end with her convoluted backstory, but I was rooting for Lou to branch out and have more of the story-line to herself.

However, this book's greatest crime, IMO, was that it was boring. I kept putting this book down and starting other stories, only to force myself back to this one after a few hours. And though this book has brief moments of greatness, and it wasn't bad or offensive in any way, it also failed to grab me the way I was expecting it to. After the way Me Before You gripped me, I think this was the biggest let down of all.

**Copy provided by the publisher in exchange for an honest review**

128 of 141 people found the following review helpful.
Not the follow up I wanted to read
By Ms. Parrothead
THIS REVIEW CONTAINS SPOILERS!!

I absolutely ADORE Me Before You, it is one of my favorite books of all time. I pre-ordered this book months ago, and I ended up staying up until 3 am reading it. I don't know exactly how to express my feelings about this book. For starters, I didn't care for the character of Lily. I think understand what the author was doing, by making Lily Will's long, lost daughter; it allowed Lou to have interaction with Will's family, and allowed Moyes a follow up with them that would have otherwise been unlikely to happen in Lou's new life. I really think the book would have been better by leaving that character out completely. I wanted this to be Lou's story of how she moved on and found her "happily ever after," and this just didn't feel that way for me. I also thought the bits about Lou's mom turning into a raging feminist, while amusing, was a little off course. I wanted Lou and Sam to have the happy ending that she and Will didn't get to, and instead it ends with her leaving him behind to fly away (to NYC) to be yet another caretaker for someone. I hardly think being the nanny/companion/personal assistant to a depressed person is hardly the life Will wanted for her, even if it is in New York. I wanted more for Lou than what I felt like she (and I) got. I wanted her to have her "happily ever after."

For what it's worth, I'd really like to see a book exploring what life would have been like for Will and Lou if he had decided NOT to end his life.....but that may be too time travel/sci-fi/time lord for most of Moyes readers.

15 of 16 people found the following review helpful.
Love it, hate it or just let it be
By Noël C.
I could not dispute the writing style of the author. It was easy to coast along, the pauses were in all the right places and I had no problem keeping up. I even found myself turning the pages with ease as I was carried along in the story. I enjoyed this book … I really did and when I closed the pages, I was satisfied with the story.

There were however, some places that scraped me; like some festered wound that could not be soothed.

I had a really difficult time believing the characters. The way they were presented and the way their personalities and their antics unfolded were a disconnect with me. Do people really act like that in those types of circumstances? I just couldn’t believe they did. The only character that I could completely buy into was the love interest Sam, his coworker Donna. She was the only character that seemed genuine and believable, to me.
Even Louisa was a little of a disconnect with me. She lost her whit and her spunk. I could believe that her mourning would have something to do with it, but something was amiss.

On the other hand, there was a part of me that could completely identify with her mourning; her lack of interest in ANYTHING and the way she just went through the motions of the day. At one point in the book, I set it down, put the marker in the page I was on and then completely broke down in tears. I could identify with that moment for I have been going through my own mourning after the loss of my mom and my sister. I recognize parts of Louisa because they reflect back to me, my very own self. And for this, I still feel a deep love for this character.

For those of us who read the first book, this is an important book to read whether the good or the bad reviews speak to you. It’s necessary to follow the character Louisa, as she navigates coming back from the death of her beloved Will. We need to see how she recovered, how she managed her days and how she began to rebuild her life. For some, this may be painful and for others, there will be a sense of satisfaction.

I invite you to get the book and read it. Love it, hate it or just let it be. It’s an important book especially if the author continues the series. If not, Will and Louisa have been put to rest in this book and we can all carry on with our lives.

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